Bretón, Hartzenbusch and Escosura are there; so too are Roca de Togores, . and took action to “corregir los vicios de su educación moral e intelectual. en el de todos sus amigos, que se gozan de su saber y se honran con sus virtudes. who reviewed this “precioso librillo” for the Revista de Madrid ( VII). Check out my latest presentation built on , where anyone can create & share professional presentations, websites and photo albums in minutes. Title: REVISTA , Author: ASOCIACIÓN COLEGIAL DE ESCRITORES, Name: REVISTA reinventada para servir outra coisa que nada tem a ver com as reais virtudes ou pureza idílica (o campo) e a fonte de todos os males, criadora de vícios, etc., (a cidade). Cada maestrillo tiene su librillo, y no vaya discutirlo.

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Y que el aprecio que V. Possibly encouraged by his contemporaries who were busily writing similar verses, possibly just to try his poetic wings, or possibly but unlikely, notwith- standing Gallardo’s protestations to the contrary with an eye to future govern- mental favors, he wrote some things that may have caused him anguish “Rey muy generoso”, “Sennor escelente en Dios atquirido”, etc. When the biography of Tirso was published again inLista made his objections to it known.

Agustín Durán : a biography and literary appreciation | David Gies –

French refinement had so distorted the critical eye, that even Spanish critics had jumped on the bandwagon of abuse Duran himself admitted virtudez this viewpoint for a while during his early studies. It might be labeled a cautious liberal- ism.

Duran himself spent hours ordering, alphabetizing, cataloging and dat- ing his collection. Aguilar,p. OfEcial sanction carne with his admission into the Academy that same year.

He made his statement and pushed it no further. This was not an original device, since the romances were full of such narrator- narration interplay, but Duran imitated it with wonderful success.


T h e queen’s return to the radical constitutionalism of paved the way for the new Gonstitution of Indeed, Hartzenbusch claimed that this immense and highly expen- sive task would have brought riches to the author in many other countries, but in Spain it merely resulted in scarce and tardy critical praise and a few dozen free copies to vigtudes to friends.

The beautiful queen became at once a source of poetic inspiration for many established and aspiring poets. Tenderly, the prince, upon revealing his identity, said: Sainz de Robles, A.

He also did a copy of the Academy’s Diccionario for Gallardo in “V. Schlegel waxed metaphysical as he claimed romantic poetry able to come nearer to the “secret of the universe”, since romantic was the expression of “the secret attraction to a chaos which lies concealed in the very bosom of the ordered universe, and is perpetually striving after new and mar- vellous births, the life-giving spirit of primal love broods sibre anew on the face of the waters”.

Imprenta Nacional,p. He refused Claros’ attempt to bribe him into silence, but challenged Don Claros to a manly battle to defend his honor and claim to Celinda.

In a note to a romance which he published in his Romancero he showed his irritation by writing: Lope de Vega” was published in the December issue. Aguilar,II, p. Vicente Llorens Castillo lass his magnificent treatment of the exiles in England suggests that Richard Chenevix Trench wrote the critique.

Boileau was a leading figure in French literary circles, but by no means was he lirbillo only voice in the struggle between those who could accept nothing which ignored Horace, Virgil, Sophocles, and above all Aristotle albeit often mis- interpreted and those who were fighting for the recognition of the validity of non-classical literature. Histories of literature and the like find it fashionable or merely easy to write off the entire century to the neoclassical sterility and cold- ness which they believe contaminated the literature of that period, b u t clearly neither side won.


His kindness and meticulous research were recognized by those who disagreed with him as well as those who followed his lines of thought.

Corpus Aristotelicum

Duran was moved to lay emphasis on the subjective impression of the work, a little more than its rational con ten t, virtudws will become clear in his own theatrical criticism; here he exhorted his readers: As before he abandoned any attempt at a strict chronological classification. In fifty-eight lines, an “anciano venerable” tells his son of the beauty, grace, and enchantment of the queen: During kas same period he buried himself for long hours in the Biblioteca Nacional, making copies of various manuscripts which he needed for his ongoing research.

Uncharitably he turned his frustration on Piatnitsky: Their subjects were so diverse that Duran found it impossible to ascribe them any thematic unity other than the broad one of “Moorishness”.

The prince, disguised as a shepherd, went to Paris to find work in the gardens of the princess. Ferdinand Wolf, writing to Gayangos from Vienna in praised “la noticia que el Sr. When he again turned his attention to Tirso, it loos in con- junction with Hartzenbusch’s edition of his works. While Mora tergiversated and Lista entered cautious reservations, Duran took his stand aggressively on what was in an extreme position.