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Biografía del hambre

Trying to meet all your book preview and review needs. If anyone has it, she does. Amelie Nothomb has written several novels grounded firmly in autobiography, but these all focus on biografa relatively short time-span, a few years of her life. And there’s always a touch of that wicked humour, too, as when she suggests that her parents should be pleased that after all her condition has at least cured her alcoholism.

In its outward manifestations, puberty is traumatic. We never store sensitive information about our customers in cookies. As always, Nothomb is fixated on childhood. Subscribe to our newsletter Some error text Name. Persistent cookies are stored on your hard disk and have a pre-defined expiry date. Significantly, Nothomb doesn’t revel in childhood-innocence like so many nostalgic authors do ; but she takes the feelings of childhood as seriously as anyone ever has, understanding that hamre and hurt can mean more at that age than ever later in life.

These descriptions of these anorexic years are deeply disturbing, and yet it’s just another rite of passage for this girl who generally goes very much her own way.

Club de lectura #LosLibrosdeLuna: ‘Biografía del hambre’, de Amélie Nothomb

Alcohol, for example, is a discovery and temptation, and becomes a habit before she’s ten. A few years in dreary Maoist China are followed by the bright lights of the big city, New York, where her parents want to make up for lost time and go out every night — children in tow as often as not. She finds his actions and words simply perplexing and fortunately Peter isn’t completely reckless.

But those post-childhood years have biografiz different, sour quality. No surprise that the narrator feels she’s seen and done it all by age seven, and expects nothing much more from life and decides twelve will be a reasonable age to die at. At age fifteen, measuring 1 metre 70 5 foot 7she weighs in at a mere 32 kilos just over 70 pounds.


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Hers is an adult voice and understanding, and here she ventures further and tries more than previously. Anorexia becomes a substitute for all that went wrong, its horror easy to describe, its consequences obvious and devastating — but Nothomb’s hurt seems to go much deeper.

It’s not just food, or food in general: Biographie de la faim does not repeat these stories, but highlights other aspects — like a second camera filming different and only partially nohhomb stories from around that same locale and time.

Among the most disturbing scenes in the book is one where she goes to summer camp in the United States when she is nine, and one of adults there Peter, aged thirty-five, with a son her age sees in her his very own Lolita. An appetite — enormous and desperate — defines the biogrzfia, from an early age: Nothomb is particularly good in describing the happily needy relationships she has: The solution she eventually settles on is radical, though hardly out of character: The mix hamnre humour, philosophising of sortsand odd stories from the plain domestic to the fantastic — like the elephant she got for her birthday makes for a wonderful read.

But there’s still a good deal of room for separate New York, Bangladesh, and Burma novels from her Some of this territory is biograifa Biografia della fame – Italia. Biographie de la faim is presented, like many Nothomb novels, in very short chapters. Not surprisingly, the numbers given in both books deel There’s a brother, too, but she’s very glad to see him sent off to boarding school.

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Nothomb also has no qualms about seeing in adolescence the ruin of the world: The novel is, in fact, a useful gloss on almost all her books, including those less directly or obviously autobiographical in particular Hambe Book of Proper Names with its ballet-obsessed, anorexic Plectrude — while also filling in several gaps in her biography that Nothomb has not yet covered in her novels, such as the New York and Dhaka years. The man convinces her father to let her sleep over for the night so she can play with his son, of course.


Transient cookies are kept in RAM and are deleted either when you close all your browser windows, or when you reboot your computer. The text complement the previous autobiographical works, adding useful background to, for example, Fear and Tremblingas well as revealing some ameliie what happened in the years not yet covered in other fictions.

Club de lectura #LosLibrosdeLuna: ‘Biografía del hambre’, de Amélie Nothomb

Sex doesn’t figure very high in the Nothombian universe; the one adult indulgence that might compare to those intense childhood feelings doesn’t seem to do it for her. All mainstream modern browsers have cookies enabled by default, so if you’ve been directed to this page it probably means you’re uisng aemlie weird and wonderful browser of your own choosing, or have disabled cookies yourself.

Always deeply in love — with her nanny, classmates, herself — sex muddies the waters. Family life wasn’t as extreme except for the tolerance for alcohol-consumptionand father, mother, and sister are nicely portrayed, suggesting real relationships beyond her wildly unrealistic other ones. And the girl is an endearing rather than annoying precocious; it seems entirely believable that she was loved as much and as passionately as she claims. As usual, once she sets her mind to something, she also sees it through: The Life of Hunger – India.

China and Bangladesh, notoriously countries of hunger and far more impoverished biogrxfia than now, continue to feed her intense desires, while the city of all excess, New York, suggests the possibility of getting everything one wants. Biographie de la faim – France. Still, this is among her finest achievements. It can certainly be read as a memoir, but is probably not much more or less so than, for example, Loving Sabotage.

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The Life of Hunger – US. She gets the tone, the confidence, the limited view and understanding of the world of the child down perfectly.

Sugar, for one, but also simply water, which she guzzles incredible amounts of.