The novelist Alaa Al Aswany places his emigré characters in post-9/11 Chicago. chicago has 11 ratings and 2 reviews. Meron said: I loved this book! First of all it was amazing reading about the historical context of post 9/11 Americ. A review, and links to other information about and reviews of Chicago by Alaa Al Aswany.
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A laa Al Aswany, the Egyptian novelist, ek famous overnight in the Arab world with the publication of his first novel, The Yacoubian Building, in That compulsively readable book, which became a massive bestseller in Arabic, focused on a once grand but now decaying building in central Cairo; it was set during the Gulf war and offered a microcosm of Egyptian society.
Al Aswany wrote in a fearless manner, especially when it came to sexual and political matters.
In the mix of characters living in the building one found, for instance, an extravagant playboy, a gay intellectual, and a devout Islamic fundamentalist.
The author chucago each portrait with a bravado that was something new under the Middle Eastern sun. Chicago, his eagerly awaited second novel, is not as interesting or fully realised as the first, but has undeniable charms of its own.
Al Aswany has a Dickensian sense of character, and one will not easily forget the ghastly Ahmad Danana, who runs the Egyptian Students’ Union chicgo Chicago, where the book is set.
As his new wife soon discovers, he has miserly and selfish tendencies.
Chicago – Alaa Al Aswany
And it’s even worse than that: Danana stands in contrast to an appealing mathematician, Nagi Abd al-Samad, who reveals himself wonderfully in his journal, as when he writes: But if he were destined, just once, to cross to the other side and to walk among them, he would see one of them writing letters to his wife, another looking at his children’s photos, and a third shaving and humming a tune.
Among Al Aswany’s other memorable characters is Shaymaa Muhammadi, who is “over thirty, still unmarried because her position as instructor in the College of Medicine has greatly reduced her chances, since Eastern men usually prefer that their wives be less educated than they”. Her story is told with special poignancy. There is also Dr Muhammad Salah, who has adapted fairly well to life in the United States, although he pines for a lost love in Egypt; indeed, he yearns for Egypt itself.
Alaa Al Aswany’s “Chicago” – Words Without Borders
The cast of characters is a large one, and Chicago weaves together their various stories – too many of them, perhaps. An impending visit by the president of Egypt produces all sorts of plot possibilities, setting off a good deal of subterfuge. The spectre of an embarrassing political protest, for example, excites the “arrogant and suspicious” Safwat Shakir, a sleazy government agent with a military background and one of the least likeable actors in Al Aswany’s motley troupe.
To these Egyptians abroad the novelist adds a small group of Americans, mostly professors in the department of histology. But the American characters are scarcely ala, being thinly drawn caricatures who speak in a wooden manner, representing competing points of view and nothing more. This is a shrewdly conceived novel: There are profound, often chilling, moments of self-realisation along the way, as when the unhappy Dr Salah descends one morning into the aswaby of his house and uncovers an old suitcase that contains the clothes he had brought to America from Egypt 30 years before: Alaa Al Aswany is among chivago best writers in the Middle East today, a suitable heir to the mantle worn by Naguib Mahfouz, his great predecessor, whose influence is felt on every page.
Yet Al Aswany has his own magic. His remarkable chicxgo for narrative momentum sustains Chicago. It may not reach the heights of The Yacoubian Building, but it reveals a gifted novelist in mid-flight.